Zoe Fenne Bavis

Based in London, Zoe works across disciplines as both a jewelry designer and a photographer.

Her jewelry, defined by its calm and understated presence, is created to quietly accompany the everyday lives of those who wear it.

With a strong focus on sustainability, including the use of recycled silver, her approach to making reflects a thoughtful and responsible attitude toward production.

In this interview, we delve into Zoe’s philosophy, exploring the ideas and intentions that shape her work and define her creative practice.

What inspired you to start your brand?

Nowhere Soon Studio began from a desire to create objects that hold time, not chase it. Drawn to the slow process of making and the intimacy of metal and form. The brand grew out of a need to build something honest and lasting in a world that moves too fast.

Could you tell us the meaning or story behind the brand name?

It’s a reminder to pause, reflecting a state of being. It’s about embracing the in between, the undefined spaces where ideas form quietly. The name suggests movement without urgency, a journey rather than a destination.

What is the core philosophy of your brand when it comes to design and jewelry making?

We believe in quality and sustainability, stripping things back until only what matters remains. Each piece is designed to carry both strength and stillness, balancing precision with the rawness of handcraft. Our philosophy is rooted in intentionality: design less, mean more. Saying this - all of our silver pieces are made from reclaimed silver pulled from medical NHS X-Ray film, as well as using fair mined gold and eco friendly packaging. 

Through your creations, what kind of worldview or values do you hope to express?

We want to express calm, consciousness and connection. Our work is an invitation to slow down, to find beauty in restraint and imperfection. We value timelessness over trend. Pieces that evolve with you, rather than expire.

Where do you usually draw inspiration for your designs?

Our inspiration often comes from emotion, quiet spaces, overlooked textures and architecture. We design through observation.

Are there any particular materials or techniques you focus on the most?

Recycled metals are our primary materials. 

We work with traditional bench techniques and waxwork - hand forming, casting and soldering. While experimenting with finishes that show the touch of the maker. The mark of the hand is part of the story.

Are your jewellery pieces handmade, or do you also use mechanical production?

Every piece is handmade in small batches, using tools not machines allowing each item to carry slight variations: evidence of time, process and presence. We see these nuances as signatures of authenticity.

Could you walk us through your creative process when developing a new collection?

It often begins with a feeling rather than a sketch. From there, we prototype in wax or metal, letting the material guide the outcome. The process is intuitive, circular and slow through design and practice.

Are there any new designs or collaborations you would like to challenge yourself with in the future?

We’re interested in exploring the intersection of jewellery and object, pieces that exist equally on the body and in space. Collaborations with artists working in ceramics or sound also feel aligned with our sensibilities.

What kind of future do you envision for your brand?

We see Nowhere Soon growing to evolve collections including homeware and expanding collaborations with other artists and designers.